Erik
Hanberg hasn't had a full time job since 2008, he says that's because
"I've been leaping from moving trains… piecing together a career.” His
security comes from dipping his fingers into several different projects and
using tech to keep the money rolling in. And he’s not keeping his
secrets to himself. He wants to spread the word, which he’s done as a guest
speaker in the classroom (of Professor Andrew Fry, specifically), but has also
put books out into the world to be gobbled up by those he can’t speak to
personally.
His
success came, as it does for many great achievers, out of failure. Erik started
at Tacoma’s Grand Cinema in 2004, where as the Managing Director accomplished
the previously impossible task of putting the Grand in line to run itself using
the innovation of technology. He was amazingly successful. So successful that
he decided that he didn’t need to work for the Grand because he could do this
on his own. “What if I owned this? I can own this and do less work! It is a
dangerous insight to a twenty-six year old.” And that brings forth his grand
failure.
The
Horatio, Hanberg’s independent project managed to squeeze out 7 shows before it
had to shut down. For the theater, business was booming online. “The physical
presence is what killed me,” mentions Hanberg. “It was a real lesson for me.”
The greatest success for Erik was that all the different services, online and
off, were run by one person – him.
From
this failure and success (and at first, simultaneously), he would continue on
to build the puzzle known as his career. He spent time writing satire and news and
editing videos at Exit133, directed the alumni program at Bellarmine Prep and founded
the workspace Suite133. His resume is full of titles like director, owner and
partner. In short, he is no peon. Erik Hanberg has been quite influential in
all the organizations he’s touched.
One
of those is Side X Side Creative, originally a graphic design company began as
a project for his wife’s, Mary Holste’s, portfolio for grad school. When Mary
realized that the company was taking off beyond a simple portfolio, she left
her job and reached out to her husband for assistance in keeping up with
demand. This, Erik claims is the closest thing to a full time job that he’s had
since 2008. Then people were asking them Can you do web? Can you do video? “I
think I can figure it out,” Erik recalls replying with a confident smirk.
In
late 2008, Erik came across another idea that struck his heart. “The 4-Hour
Workweek” by Tim Ferris preached that All People have Expertise that they can
Sell. “I looked back at my history and I saw small nonprofit fundraising,” and
so Erik put out his first book The Little Book of Gold in 2009. Mary had
designed his cover. To be safe, he tested the waters for demand before he put
time into the book by providing an outline, the cover and the first chapter.
When he realized that yes, the world is interested, he completed the project.
He went with the self-publishing route using the Amazon platform. “Again, (I)
built an entire business off the internet.” Erik is very fond of the World Wide
Web’s presence as a way of introduction of tech that hadn’t existed before and
was amazed by the empowerment where businessmen “went straight to people to
find an audience.”
Erik
has gone on to write five more books. He admits to being slow to accept Kindle
into his tools, previously only utilizing print-on-demand. Eventually, he even
turned The Little Book of Gold into an audiobook that he recorded in the
producer’s garage. He calls his books “side projects that keep on paying
dividends,” and advises students that “new books are good marketing for old
books.”
In
order to grow one’s own success, Erik says you only need to be really good at
two things: producing your product in a cave (in isolation) and riding the
stream of the web to find and keep your audience.
Erik’s
current project is Channel 253. “I’ve started a radio program without the
expense of a radio program” he brags and rightfully so. Channel 253 has six podcasts, all Tacoma themed, including local news and Taco-Man (a play on the
identifier Tacoman). Hanberg is confident that it will be a success because he
has no legacy costs such as printing presses, like that of his competitors, plus his competitors might be optimizing for the wrong problem. He claims journalism
is changing, and he seems to hold a few clues as to where that is going.
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